musical harmony
英
美
[网络] 音乐和谐；音乐和谐性
双语例句
- Next, assumptions of principles of soundscape design is sketched based on musical aesthetic theory, and the variability, abundance and harmony of the soundscape is verified.
之后根据音乐审美理论提出声景小品设计原则的假设，并对声景小品设计的变化性、丰富度、和谐度三个原则进行验证。 - This part consists of six aspects of musical form structure, tonality, harmony texture, melodies, rhythm, sound. The part investigates the application of Hungarian elements through analyzing musical language of Hungarian rhapsody.
这部分从曲式结构、调式调性、和声织体、旋律、节奏、音色，六个方面着手，通过分析《匈牙利狂想曲》的音乐语言特征，探究匈牙利民族元素在这部作品中的运用。 - It's more important to combine some music analysis methods such as musical form and harmony according to music characteristics of different creation means and point out relative music expressions.
更重要的是结合曲式、和声等音乐分析，根据不同创作手段的音乐特点，挖掘它的音乐内涵，并提出相应的音乐表现手法。 - As the chakras of your body's system glimmer, their Light resonates a glorious musical harmony.
由于你身体系统脉轮闪光，它们的光共振一个华丽悦耳和声。 - He believes that music contains the essential factor-"harmony", if the musical "harmony" were brought into the whole universal society, the whole society would develop harmoniously.
孔子认为音乐蕴涵着和的要素，将乐音之和推及到整个社会宇宙，能使整个社会宇宙得到和谐化的发展。 - Cage was an iconoclast. He refused to be bound by western musical traditions of harmony and structure.
凯奇是个反传统的人。他拒绝接受西方有关和声和结构的音乐传统的束缚。 - In the process of musical aestheticism, people alway pay less attention to timbre than to other musical means of expression, such as melody, rhythm, mode, harmony and so on, for timbre is abstract and has no definite meaning.
在音乐审美过程中，因为音色这一客体的不具象性、无语义性，往往不像其他音乐表现手段（旋律、节奏、调式、和声）引起人们的重视。 - The Application of Psychology of Musical Education in Teaching of Harmony
音乐教育心理学在和声教学中的运用 - In this paper, I Analyzed this solo works from musical form, harmony, tone and tonal relations and filled the remained research questions of the pipa playing techniques and the ongoing creation.
本文主要从乐曲的曲式、和声、调式、调关系等作曲法方面深入研究，填补前辈在琵琶的演奏技法方面及二度创作感受方面遗留的研究问题。 - In the recessionary 1970s, the Broadway musical ( adapted for the screen by John Huston in 1982) made room for Roosevelt and ended on a note of harmony between government and private enterprise.
在经济萧条的20世纪70年代，百老汇的歌舞剧版本（该版本于1982年由约翰·赫斯顿[JohnHuston]搬上银幕）为罗斯福留出了空间，最后以政府和私人企业之间的和解迹象而告终。